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Crescent

by Kamala Sankaram

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  • Compact Disc (CD) + Digital Album

    6 panel wallet with 1 CD

    Includes unlimited streaming of Crescent via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Free pdf booklet included
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      $7 USD  or more

     

1.
A Brief History of Progress The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky; Upon the brimming water among the stones Are nine-and-fifty swans. Unwearied still, lover by lover, They paddle in the cold Companionable streams or climb the air; Their hearts have not grown old; Passion or conquest, wander where they will, Attend upon them still. But now they drift on the still water, Mysterious, beautiful; Among what rushes will they build, By what lake’s edge or pool Delight men’s eyes when I awake some day To find they have flown away? (From The Wild Swans at Coole by W.B. Yeats)
2.
3.
The Machine and the Garden ...how could a complicated machine, which shuns the light, confide itself to the free will of man? (From Letters on the Aesthetic Education of Man by Friedrich Schiller) LOCKE sank into a swoon; The Garden died; God took the spinning-jenny Out of his side. (From Fragments by W.B. Yeats)
4.
5.
Hydrocarbon polymerization into partial crystal polymer of ethylene
6.
7.
8.
Crescent 04:15
When you closed your eyes for the last time The waning of the world began All the colors turned to gray I’m still waiting for the waiting to end But I will try to open my eyes Though the world has been heavy for so long. And though the path is no longer clear Each foot forward will carry us on. We can still find our way though the light is just a sliver in the dark.
9.
5 Rasas 10:22

about

Crescent is the first solo album from acclaimed composer and performer Kamala Sankaram. Summoning a wide array of timbres and styles, the album traces the impact of human technologies on the natural world, fusing the sounds of steam engines, helicopters, and electromagnetic static with field recordings from across New York State in both composed and improvised settings for voice, percussion, and electronics.

The song cycle Crescent is a showcase for Sankaram’s expressive singing and use of extended technique. She is joined by percussionist Brian Shankar Adler, her collaborator in the operatic Bollywood surf ensemble, Bombay Rickey. Adler employs dazzling virtuosity on Sankaram’s compositions for tabla and in extended improvisations using junk metal and plastic. Interspersed throughout are sonifications of temperature data where pitch is associated with the global average temperature on land and sea.

5 Rasas was originally commissioned by Works and Process at the Guggenheim as accompaniment to choreography by Preeti Vasudevan. Taking structure from five different rasas (emotional states in Indian classical art), the piece is built using chance operations and found sounds including field recordings and those weird WW2-era Short Wave radio stations that broadcast nothing but numbers. The string quartet that forms the musical motive for the piece was first composed as a theme for Iphigenia in the Shakespeare Theatre Company production of Ellen McLaughlin’s Oresteia.

Praised by The Washington Post as “one of the most exciting opera composers in the country”, Kamala Sankaram moves freely between the worlds of experimental music and contemporary opera. She has collaborated with the likes of Anthony Braxton and Meredith Monk and is currently a member of the composition faculties at the Mannes College of Music and SUNY Purchase.

credits

released January 1, 2024

Crescent was created while a 2021-22 Artist In Residence at Kaufman Music Center.
The piece was recorded by Jeff Cook on 12/29-30/22 at 2nd Story Sound.
5 Rasas was commissioned by Works and Process at the Guggenheim
and recorded at Loho Studios and Cowboys and Indian North, 11/19/22.

Produced by Kamala Sankaram
Additional percussion recorded by Brian Shankar Adler at Circavision Productions
Mixed by Jeff Cook at 2nd Story Sound and Linden Underground
Mastered by Erdem Helvacıoğlu

Special thanks to Drew Fleming for putting up with my weird microphone habit.
This record is dedicated to Sheela Sankaram.

Designed by Philip Blackburn

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